Contact — Ashwin Mitchell Dossier

06 — Contact

One address, read by him

There is no assistant and no submissions portal. Everything — scripts, stills bookings, editorial commissions, teaching enquiries — goes to the same inbox and is answered by Ashwin.

Ash@ashwinmitchell.com

Lines of contact

Verified

Email: Ash@ashwinmitchell.com — primary and preferred for everything.
Site of record: ashwinmitchell.com — galleries, rates and the contact form.
Instagram: @itsashwinish — current work, not a booking channel.
Based: Los Angeles, California. Travel on consultation.
Telephone: On his CV; withheld from this sheet by default. Ask by email if you need it for scheduling.
Representation: PLACEHOLDER — unrepresented at time of writing; confirm before circulating

What to send

By enquiry type

Include these and the first reply can be a real answer
If you are	Include	Subject line
A rep or manager considering signing	Which of the four specs you read, and what you would go out with first. He can send the other three the same day.	REP — [your agency]
A producer or showrunner with a writing job	Format, length, start date and whether it is staffed or a one-off. Say if you want a sample in a particular genre.	WRITING — [project]
A line producer booking unit stills	Shoot dates, location, union status, number of days, and whether poster and key art are in scope. See sheet 05.	STILLS — [production, dates]
An editor or brand commissioning editorial	Concept or reference, shooting days, delivery date and usage. Editorial is priced per project from $1,500 a shooting day.	EDITORIAL — [title]
Booking a headshot or portrait	Preferred dates, in-studio or your location, and how many retouched selects you need beyond the three included.	PORTRAIT — [date]
A programme or department with teaching work	Course, term and level. He has taught screenwriting at UCLA and currently teaches photography and AP art — see sheet 04.	TEACHING — [institution]

What comes back

Materials on request

Scripts

Any of the four specs as a read-only document: IMPRESSIONS, AFTER DEATH, HORNLINE, LIKE TEARS IN THE RAIN. Samples are already linked on sheet 01.

Photography

Full galleries per editorial series and unit stills selects for the productions listed on sheet 02, sent as a link rather than as attachments.

Paperwork

CV, rate confirmation in writing, and insurance or union documentation where a production needs it. PLACEHOLDER — insurance details not in source material

Reading this as a demo. This dossier is a layout concept built on Ashwin’s real record. Nothing on these seven sheets is invented; anything unavailable is marked as a placeholder rather than filled in. Response times are not published, so none are claimed here.