Ashwin Mitchell
Night scene from The Getaway, a narrative editorial shot by Ashwin Mitchell

Los Angeles · Available for 2026 projects

Ashwin Mitchell

Screenwriter · Director · Photographer

I write the story and I can shoot it. An MFA screenwriter out of UCLA who spends his weeks on sets and in edit bays — so the script, the stills and the campaign images all speak the same language.

Ways to work together

Three things I can take off your plate

Every project is different, so tell me the scope and I'll quote it. These are the starting points.

Story & screenwriting

Scripts written from scratch, or an existing draft pulled into shape by someone trained to find the structural problem fast.

  • Original features, shorts and pilots
  • Rewrites, punch-ups and coverage
  • Concept and treatment development
  • Narrative direction for branded work

Four finished originals →
MFA, Film / TV / Digital Media — UCLA, 2024 · Rate on scope

Unit stills

The visual archive of your production — behind-the-scenes, key art and the frames your press and awards campaign will actually use.

  • Principal photography coverage
  • Key promotional and poster imagery
  • Consistent with the production's look
  • Delivered processed, publication-ready

IATSE rates for union productions in LA · Non-union on consultation

Editorial & portraits

Concept-led shoots for magazines, brands and talent. Built like a scene: premise first, then styling, location and light.

  • Editorial commissions and campaigns
  • Conceptual series with a written premise
  • Actor and professional headshots
  • Portrait sessions

Editorial from $1,500/day · Portraits from $550 · Headshots $350

Selected work

Pictures that were written before they were shot

The Getaway is a three-act editorial — a thief's escape across Los Angeles, structured as Chase, Calm and Reward. That is the whole pitch for hiring a writer to run your camera.

A woman in a red dress moving through a downtown alley at night
The Getaway — Act INarrative editorial · Los Angeles
Rooftop frame from The Getaway
The Getaway — Act IIIConcept, styling and direction
Athlete portrait for Across the Line Vol. 2
Across the Line, Vol. 2Head of Photography
On-set unit still from a film production
Unit stillsOn-set, principal photography
Portrait in red from L'Art du Rouge
L'Art du RougeColour study series
Y2K-styled fashion editorial frame
Y2KEditorial collection
Behind the scenes unit still on a film set
Behind the scenesProduction documentation

The scripts

Four originals, finished and available to read

Two features, an hour-long thriller anthology and a half-hour comedy. The loglines and reading samples are password-protected — enter the password to see them, or email Ash@Ashwinmitchell.com.

How it works

From first email to delivery

Tell me the shape of it

Scope, dates, location, what the material is for. One email is usually enough to know whether I'm the right fit.

A quote, in writing

Rate, deliverables, turnaround and usage — priced to the actual project rather than a package you don't need.

Shoot, write, deliver

Fully processed images ready for press and marketing, or drafts on an agreed schedule with notes built in.

Contact

Got a project?

Scripts, sets, campaigns, or something that doesn't fit a category yet — send the details and I'll come back within 48 hours.

Ash@Ashwinmitchell.com
Email with a project brief
  • BasedLos Angeles, California
  • TravelAvailable nationally — currently touring for dance competition work
  • CurrentHead of Photography, Across the Line
  • TrainingMFA, UCLA (2024) · BA Media Arts, University of North Texas (2022)
  • Instagram@itsashwinish